I am a visual artist and art therapist working within the social system. With a background in sculpture and a deep interest in human connection, I use creativity as a tool for transformation. I enjoy working with people, helping them shift their perspective on the more difficult or "grey" spaces in life, often through play and artistic exploration.

My sculptural work is often interactive, inviting viewers to engage directly, while also reflecting my commitment to sustainability and recycling. As an art therapist, I believe in the healing potential of creative expression and the importance of acknowledging each individual’s reality with empathy and imagination.

At 36, I continue to explore new ways to blend artistic practice with social care, always with a focus on presence, play, and purpose.

“You”- Ineractive installation

“You” is an immersive exploration of memory, awareness and self-discovery. Is an installation rooted in a childhood classic, just a hopscotch, reimagined with infinite mirrors.

In the first room participants are encouraged to step onto a hopscotch drawn out on a series of mirrors which provide the illusion of infinite space beneath your feet. In the same way that there’s no fear of plummeting, there’s no floating, either: We jump with curiosity, not fear like a child. The game is an metaphor for venturing into the unknown, with innocence and trust that everything will be alright.

The second room contains a projector displays distorted the visitor’s image, which calls to mind a dream state memory of the self , fuzzy, playful, and up for interpretation. This mirror of memory is asking us: how do we see ourselves and how much of that is the past?

“You” offers an invitation to rediscover yourself through play. The hopscotch, it is a game that has spread across nations and over generations. The rules might be different, but the basic layout is a the same.

For me this work is an investigation of basic, universal topics; childhood, play, perception and connectivity. In re-contextualizing the everyday, I hope to promote a more thoughtful engagement with what we so easily overlook. “You” is more than a game, it is a path to the past, a glimpse into our inner child, and an opportunity to step into the infinite.

“Interdependence" – Mixed Media Sculpture

“The sculpture "Interdependence" is made up of three separate parts, each of which features a child. The profound relationship between our surroundings and who we become is examined in the installation. Childhood is a period of openness during which we consciously and unconsciously take in everything around us. The contrasts and material selections in this piece demonstrate that sensitivity and receptivity. I decided to contrast the natural and the artificial by using wood and plastic bottles. The wood components stand for organic growth, stability, and wholeness. The melted and corroded plastic components, on the other hand, allude to pollution, fragmentation, and the enduring physical and psychological effects of our environment. Interdependence highlights how the outside influences our inner worlds through this tangible conversation.

“ Urban Armor"

The sculpture "Urban Armor" is made of melted and torn plastic, a conscious decision that draws attention to the environmental costs of urban living as well as the artificial aspect of contemporary life. The artwork represents the environmental, emotional, and psychological toxicity that is frequently present in big cities. The sculpture's layered, shield-like shapes allude to how people naturally erect emotional and physical barriers to shield themselves from the harsh realities and stresses of city life. It serves as a metaphor for adaptability, resiliency, and the invisible costs of living in a contemporary city.

“Pieces"

Three separate pieces are used to create the sculpture "Pieces," which represents the cracks in our psyche. This piece of art examines the difficulties we encounter when combining various facets of who we are and the transformational potential of our experiences. By demonstrating how we can reshape our lives from seemingly discarded elements, the melted plastic symbolizes the malleability of identity. Every segment symbolizes a distinct aspect of who we are, highlighting the intricacy of individual challenges and encouraging reflection on the path to wholeness. With "Pieces," I want to deliver a potent message. We have the ability to accept every aspect of who we are and develop a cohesive, whole identity, even in the face of our fractured past.

“Metamorphoses,” 2018

Edition “ Extinct Animals in Romania," launched in 2018, marked its inaugural edition and took place in Târgu Mureș. This initiative aimed to raise awareness about the importance of recycling and environmental preservation while shedding light on the plight of extinct species. Artworks were strategically displayed in five different areas of the city, both in central and peripheral locations, creating an engaging experience for the community. Each piece served as a powerful reminder of the need for conservation and the role recycling plays in protecting our environment. Through this project, the organizers sought to inspire action and encourage the public to reflect on their environmental responsibilities, emphasizing that every effort in recycling contributes to the preservation of our planet and its diverse ecosystems. "Remembering Extinct Animals in Romania" successfully combined art, awareness, and community engagement, fostering a deeper understanding of biodiversity and sustainability.

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“Castle"

Is a symbolic sculpture built with the bricks salvaged from my former high school art studio materials that once supported my artistic development and now serve as the literal foundation of this piece. At its peak stands a child’s portrait, half made from terracotta and half from recycled plastic, merging tradition with contemporary materiality. The work draws inspiration from a childhood game in which we stacked stones and placed a cherished object on top. Then tried to knock it down with a ball to win the prize. This sculpture reflects that memory, turning it into a metaphor for creativity and transformation. It speaks to how we can repurpose everything around us, like those old bricks, into something meaningful and new. In doing so, "Castle" becomes a personal monument to growth, memory, and the enduring value of play and reinvention.

“ “ Me And IBD”

This realistic sculpture represents my sister, who lives with Crohn’s disease. She is a member of ASPIS, an association that supports individuals with gastrointestinal conditions. The piece was created for the IBD Patients’ Conference in 2016, as a tribute to the often-invisible struggles faced by those living with inflammatory bowel diseases.

The sculpture is made from dental porcelain and melted plastic. The contrast between these materials conveys a powerful message: in a world where everything appears fragile and flawless on the outside like, porcelain, what lies within can be fragile in a very different way. Gastrointestinal diseases are invisible illnesses; they silently consume from the inside, often unnoticed by those around.

Through this work, I aimed to make the invisible visible, to honor resilience, and to invite deeper understanding and empathy for those living with hidden pain.

"Madness"

Is a realistic terracotta sculpture with embedded fragments of recycled plastic in the hands, head, and intimate area. This work is inspired by my cousin, who lives with schizophrenia. For a time, we were very close, and I tried to support her as much as I could. But eventually, I had to face a difficult truth: we are each responsible for our own lives, and we can only change ourselves.

In her, I witnessed someone trapped in recurring psychosis and self-destructive patterns, cycles that repeated over long periods of time. The plastic, melted and seeping into the clay, symbolizes an invasive, almost fungal presence, something that takes root and corrupts. Its placement on the most vulnerable parts of the body speaks to how deeply mental illness can affect both identity and agency.

This sculpture is both a tribute and a confrontation, an attempt to process the pain of watching someone you love slowly lose touch with reality, while also acknowledging the limits of our ability to save others.

“Metamorphoses “2021

Târgu-Mureș featured two large-scale murals celebrating the legacy of local historical figures, bringing their stories back to life through contemporary public art.

The first mural portrays Ion Fiscuteanu, a legendary Romanian actor who transformed the landscape of Romanian theatre and earned international acclaim for his role in The Death of Mr. Lăzărescu. His image now watches over the city as a tribute to the emotional depth and realism he brought to the stage and screen.

The second mural honors Farkas and János Bolyai, the father and son mathematicians whose contributions to non-Euclidean geometry have left a lasting mark on the world of science. Their presence in the cityscape serves as a reminder of Târgu-Mureș’s intellectual heritage.

The aim of the Metamorfoze project is to reintegrate forgotten local figures into the cultural identity of the city by placing them visibly into the daily lives of its citizens. Through street art, these personalities are reintroduced to the public in a dynamic and accessible way, enriching the community’s connection to its own history.